Unlikable Characters. A Good Thing?

“A thoroughly entertaining, even funny plot awaits the reader. The author…wants to entertain. And he succeeds in doing this in a well-versed and humorous way.”

Carsten Kuhr, Phantastisch Lesen

Rezension

Daniel Becker ist – Pardon, ein Arschloch. Muss er auch sein. Denn um bei einer der angesehensten Anwaltskanzleien aus Seattle Karriere zu machen, muss man über Leichen gehen. Seine Ehe ging, angesichts einer 7 Tage, 50 Stunden plus Arbeitswoche erwartungsgemäß in die Brüche. Seine Tochter sieht er kaum, stattdessen jede Menge Akten.

Doch Daniel hat ein Geheimnis. Als Kind floh er im Elternhaus voller Furcht vor dem ihn heimsuchenden Monster unter seine Bettdecke. Der erwachsene Daniel lebt auf einem Hausboot. Und bekommt einen neuen, wichtigen Fall, der ihn zum Partner aufsteigen lassen könnte. Just in dieser Nacht, als seine Karriere endlich abhebt, meldet sich ein alter Bekannter, Dämon genannt, bei ihm. Halluziniert er? Ist es der Stress? Wird die Arbeit etwa zu viel?

Sein Besuch sucht einen Rechtsanwalt. Es wird ihm vorgeworfen, ein Mädchen umgebracht und die Existenz der magischen Welt offenbart zu haben. Ersteres wäre kein Problem für ein Mandat, aber für zweiteres droht dem Advokaten ein mehr als schmerzhafter Tod. Daniel bleibt nicht viel anderes übrig, als den Fall zu übernehmen. Und, da er ein guter Rechtsverdreher ist, obsiegt er natürlich im Rechtsstreit.

Fehler, ganz großer Fehler! Sein Erfolg spricht sich herum und merkwürdige Klienten suchen seine Hilfe. Und dann will der Richter, vor dem er einen Schuldigen entlastet hat, auch noch, dass er den wahren Mörder findet.

Buckingham weiß, was seine Fans erwarten

Royce Buckingham gehört hierzulande zu den US-Autoren, die eine treue Fangemeinde haben. Insbesondere sein Roman „Dämliche Dämonen“ und dessen Folgebände und die „Mapper“ („Karte der Welt“) -Serie fanden Anklang.

„Im Zweifel für das Monster“ ist auf der Internetseite des Autors in einer Rubrik „German Novels“ aufgeführt. Es gibt anscheinend kein englischsprachiges Original. In Royce‘ Vita dann der entscheidende Hinweis: die Rechte an diesem Buch für den US-Markt sind noch zu haben. Der Roman wurde also als Welt-Erstveröffentlichung bei Blanvalet in deutscher Übersetzung publiziert.

Inhaltlich wartet ein durchaus unterhaltsamer, sogar lustiger Plot auf den Lesenden. Es geht dem Verfasser nicht unbedingt darum, Missstände anzuprangern oder große Messages zu verbreiten. Er will unterhalten. Und dies gelingt ihm durchaus versiert und humorvoll.

Er zeichnet das Bild eines typischen Karriere-Rechtsanwalts, wie wir es auch aus TV und Kino kennen. Ja, die Handlung ist in sich nicht unbedingt logisch oder überzeugend. Aber, und dies ist für den Lesespaß entscheidend, der Roman liest sich flüssig in einem Rutsch durch. Unser Rechtsverdreher offenbart dabei menschliche Züge. Dazu ist das Handlungstempo überraschend hoch, unerwartete Wendungen reihen sich aneinander, sodass ich den Roman mit Spaß gelesen und nicht aus der Hand gelegt habe.

Fazit

Als Fazit bleibt festzuhalten, dass Royce Buckingham genau weiß, was er kann und was seine Leserinnen und Leser von ihm erwarten. Er versucht beileibe nicht, das Rad neu zu erfinden. Sondern konzentriert sich auf seine abwechslungsreiche Geschichte, unterfüttert sie mit Humor und lenkt uns so ein wenig vom Alltagsgeschehen ab.

Carsten Kuhr

Review

Daniel Becker is – sorry, an asshole. He has to be too. Because to have a career at one of Seattle’s most respected law firms, you have to walk over dead bodies. As expected, his marriage fell apart given a 7 day, 50 hour plus work week. He hardly sees his daughter, instead he sees a lot of files.

But Daniel has a secret. As a child, he fled under the covers of his parents’ house in fear of the monster that was haunting him. Adult Daniel lives on a houseboat. And gets a new, important case that could make him a partner. Just that night, when his career is finally taking off, an old acquaintance called a demon contacts him. Is he hallucinating? Is it the stress? Is the work getting to be too much?

His visitor is looking for a lawyer. He is accused of killing a girl and revealing the existence of the magical world. The former would not be a problem, but for the latter the lawyer faces a more than painful death. Daniel has little choice but to take on the case. And, since he’s a good legal spinster, of course he wins the lawsuit.

Mistakes, big mistakes! Word of his success gets around and strange clients seek his help. And then the judge before whom he exonerated a guilty party also wants to find the real killer.

Buckingham knows what his fans expect

Royce Buckingham is one of the US authors in Germany who have a loyal fan base. In particular, his novel “Dämliche Demons” and its subsequent volumes and the “Mapper” (“Map of the World”) series were well received.

“In doubt for the monster” is listed on the author’s website in a “German Novels” section. There doesn’t seem to be an English-language original. In Royce’s résumé then the crucial note: the rights to this book for the US market are still available. The novel was thus published as a world first publication by Blanvalet in German translation.

In terms of content, a thoroughly entertaining, even funny plot awaits the reader. The author is not necessarily concerned with denouncing grievances or spreading big messages. He wants to entertain. And he succeeds in doing this in a well-versed and humorous way.

He paints the picture of a typical career lawyer, as we know it from TV and cinema. Yes, the plot itself is not necessarily logical or convincing. But, and this is crucial for reading fun, the novel reads through fluently in one go. Our legal twister reveals human traits. In addition, the pace of action is surprisingly high, unexpected twists are lined up one after the other, so that I enjoyed reading the novel and couldn’t put it down.

Conclusion

The bottom line is that Royce Buckingham knows exactly what he can do and what his readers expect from him. He is by no means trying to reinvent the wheel. Instead, it concentrates on its varied history, underpins it with humor and thus distracts us a little from everyday events.

Carsten Kuhr

Contribute to the Die Klinge des Waldes Wiki Site

“Royce Buckingham creates new worlds in his books as I would have imagined as a child. With attention to detail, very exciting and entertaining – I’ve rarely been able to put it out of my hands.” — Karateka, Reviewer

German fantasy fans love the world building in my newest epic fantasy novel, Die Klinge des Waldes (The Blade of the Forest). Now there is way for English readers to join in exploring it too–the Die Klinge des Waldes fandom wiki site, built by the fans themselves.

Here’s the coolest thing I found out about about the Die Klinge des Waldes wiki site. Anyone can contribute. For German readers, write in your favorite quote, storyline, district–you name it! For English readers, check it out, add your thoughts and questions and tell my agent John Rudolph why you would love to have the novel available in the United States. 

The wiki site includes facts about all of the major or minor districts in the far off City of Filth, including primary character bios and quotes, as well as an entire page dedicated to all of the story’s characters. I loved creating this world and am gratified to see that readers love learning about it. Their comments (translated from German) speak for themselves:

“Each district is like a small kingdom with its own laws, customs, festivities, and methods of execution (Royce Buckingham is extremely creative, which is amazingly intriguing in a macabre way). In the course of the plot, you get to know quite a few districts such as the carpentry or the carnival district, but also over the other districts information is scattered over and over again, which I personally found incredibly exciting. This city looks like a mini-universe to itself…”  Miss Page Turner

“With “The Blade of the Forest,” Royce Buckingham reveals a fantasy novel set in a very different world from his trilogy for “The King’s Will” and his followers. And that’s exactly where the great power of the novel lies, you can completely explore the strange world and explore numerous different cultures, locations and connections.”  Poldis Hörspielseite

“World-building really succeeded in this novel. The map on the first page already gives an interesting insight about the individual lands. Among other things, there is the forest kingdom of Strata at the beginning, which impresses by the fact that the rich live in towers, which were built around trees and the simple people, who lives on the ground, are called Grundlinge (Grounders).”  Steffi R, Reviewer

“Let’s get to the world Buckingham created: it’s fascinating. Partly an ancient variant of our world and yet somehow different. On the other hand fantastic and yet not so fantastic that it could not have been that way.”  Daisy D

I’m excited and flattered that fans have created this site, and I’m eager to share it with you! Visit at: Die Klinge des Waldes Wiki.

Royce Writes: The Skype Visit

Technology is a beautiful thing. In June, I used it to virtually visit students 3,000 miles away from the comfort (and safety) of my living room.

Thank you so much!  The students LOVED Skyping with you!  I’m looking forward to the next discussion…” – Kimberly Bramfeld, Librarian Edmund J. O’Neal Middle School of Excellence

Skype visits have been a great option for me – a busy writer, lawyer and dad – to connect with fans without a lot of travel. And schools love it, because I offer them for free. The only payment I require is for students and their teachers to prepare by reading part or all of the book and creating a list of questions to ask ahead of time. 

Find out more HERE.

My lifelong friend’s book is coming out!

My dear, dear German friend Alexis’ first book is coming out. She writes fantasy books, like me!

Her debut novel, The Deathbringer, will hit German bookshelves in March/April of 2018.

The Deathbringer is the tender story of a princess…who becomes an assassin. Yeah!

She kicks ass. The book kicks ass. Everyone kicks ass! Including my publisher, who hired Alexis on my recommendation. I hope fans are as into her work as I am.

The rights will be shopped in the US soon (when the time is right).

Until then, good luck Alexis!

Interesting Concept for Branding an Author

It takes much more than a riveting story to grow a brand and successfully market titles. – Christian Smythe

With so much content out there, traditional and indie publishers are looking for innovative ways to market their authors. Christian Smythe suggests a few interesting concepts here.

 

MONSTERS! Are they scary anymore or just our BFF’s with serious issues.

I’m sharing this article  I wrote that ran a while back on Smack Dab in the Middle – a blog for Middle Grade Author. I encourage you to check out the site for great ideas on books for Middle Grade Readers, but I’ve copied and pasted below if you’d like to stay here to read it. I hope you enjoy reading it as much as I enjoyed writing it. 

MONSTERS!

We have always had a fascination with monsters. From the time of the big three—Dracula (vampire), Frankenstein (zombie), and the Wolf Man (werewolf)—to the age of the pretty vampires and sensitive werewolves, Americans have literally eaten up the myth of the monster in all of its forms.

One of the interesting things that has happened over the years is the humanizing of these creatures. The vampire was originally seen as a shambling, grotesque beast returning from the dead to haunt Europeans in their myths and legends. In his movie debut, the vampire was Count Orlock of Nosferatu fame. Here’s a snap:

Compare this handsome young man (above) with a modern interpretation of the gruesome beast below:

Weird, huh? The same sympathetic treatment has been given to Werewolves (Patricia Briggs) and even Zombies. These perfectly good monsters who were once mysterious (ie. not understood) have been turned into our neighbors, our BFF’s, and even objects of desire who reveal their inner feelings and have been, it turns out, misunderstood. To that, my question is…where’s the scary?

I guess it’s no secret that many, many, many-many-many, modern YA monsters are not monsters at all, but instead just humans with issues.

When I set out to write a monster story back in 1997 or so, I had no idea that the trend was to personify monsters, anthropomorphize them, if you will. I thought they should just be scary and mysterious and kill you, preferably via eating. For my DEMONKEEPER series, I chose (you guessed it) demons. I took a traditional approach and made the bad monster bad. I had it eat kids, not date them. I chose demons because demons come in all shapes and sizes, and not all are evil; some are just annoying. Thus, I could have my monster and comic relief as well. In this way, I retained the traditional monster and tapped into our visceral, Neanderthal fear of being eaten alive by a wild animal (thank you ancestors), and I was able to play with lesser demons at a lower threat level (“hey dude, don’t virus my ipad”).
But was I watering down the monster myth too?

When I handed in my first draft of my subsequent book, THE DEAD BOYS, to my editor, John Rudolph (then at Putnam), he asked me if I really wanted it to be spooky. “Of course!” I said. He then proceeded to cut half of the book in the first edit. HALF! I just about had a heart attack. Talk about scary. But there was a method to his Mr. Hyde madness. He had cut all of the humor from the book. And the monster (a kid-eating tree) was delivered without any “softening.” It was relentless. It never winked and had a sensitive side. It didn’t joke around with you after school. It-just-ate-you. Period. Evil. Scary. No dating. No prom. No misunderstood-ing. It liked to eat boys. Yum! I rewrote half the book, and darn but if John wasn’t exactly right. It was spookier. Several book awards and fan letters about sleepless nights followed. Check the covers of the DEMONKEEPER series (above) vs. THE DEAD BOYS (below). Which is spookier?

The phenomenon of making monsters relatable and sympathetic is probably a spectrum. King Kong-mammal/sympathetic/less scary. Alien-insectile/not sympathetic/very scary. And so there is no right or wrong, just differences in approach and effect. Thus, as a writer, it is important to be aware that the more you understand the beast, the less scary it is. So make choices based upon the tone you wish to convey, before your editor cuts half of your book. As a reader, choose your monsters with this in mind. Do I want a drama with creatures? Do I want a genuinely scary story? I know which I’d choose. But that’s just me. I like spooky.

Boo!

Royce

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